{"id":1822,"date":"2023-12-26T13:59:34","date_gmt":"2023-12-26T13:59:34","guid":{"rendered":"https:\/\/za.uap.edu.pl\/?page_id=1822"},"modified":"2024-08-13T08:50:02","modified_gmt":"2024-08-13T08:50:02","slug":"44-2","status":"publish","type":"page","link":"http:\/\/za.uap.edu.pl\/?page_id=1822","title":{"rendered":"44"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-scaled.jpg\"><img loading=\"lazy\" src=\"https:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-1024x768.jpg\" alt=\"\" class=\"wp-image-1952\" width=\"312\" height=\"234\" srcset=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-1024x768.jpg 1024w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-300x225.jpg 300w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-768x576.jpg 768w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-1536x1152.jpg 1536w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-2048x1536.jpg 2048w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-560x420.jpg 560w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-260x195.jpg 260w, http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44_wizualizacja-2-1-160x120.jpg 160w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><\/a><figcaption>2(44)\/2023<\/figcaption><\/figure>\n\n\n\n<p id=\"block-186a7a29-6d06-4f88-91c4-2b693bf0441e\">Temat numeru: <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/ZA_44-2.pdf\">TKANINA ARTYSTYCZNA. Wobec wsp\u00f3\u0142czesno\u015bci \/ TEXTILE ART. In the face of contemporary times<\/a><\/p>\n\n\n\n<p>Redaktor prowadz\u0105ca: dr Magdalena Kleszy\u0144ska, ad.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Magdalena Kleszy\u0144ska, <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/01.pdf\">Obok Wst\u0119pu\u00a0<\/a><\/p>\n\n\n\n<p>1.<em> <\/em>Anna Borowiec, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/02.pdf\" data-type=\"URL\">Uwaga! Tkanina! Od Wydzia\u0142u tekstylnego do Pracowni Gobelinu w pozna\u0144skiej PWSSP&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>2. Karolina Lizurej, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/03.pdf\" data-type=\"URL\">Opowiem wam moj\u0105 histori\u0119. Tkanina i jej funkcje narracyjne w kontek\u015bcie problematyki kobiecej&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>3.<em> <\/em>Kacper Andruszczak, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/04.pdf\" data-type=\"URL\">Powr\u00f3t do rzemios\u0142a: tkanina artystyczna jako przyk\u0142ad wypartego dziedzictwa i oddolnej sztuki feministycznej&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>4. Dominika Krogulska Czekalska, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/05.pdf\" data-type=\"URL\">Tkanina jako no\u015bny temat i prze-no\u015bnik tre\u015bci&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>5.<em> <\/em>Rafa\u0142 Boettner-\u0141ubowski, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/06.pdf\" data-type=\"URL\">TKANINA \u2013 MEDIALNA MIGRACJA \u2013 AUTOCYTAT. Wybrane poszukiwania artystyczne prof. Andrzeja Banachowicza&nbsp;&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>6. Barbara G\u00f3recka, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/07.pdf\" data-type=\"URL\">Maria\u017c fotografii, haftu i rewolucji. Ksi\u0105\u017cka ilustrowana O adeus do marujo Fl\u00e1vii Bomfim jako przyk\u0142ad u\u017cycia tkaniny we wsp\u00f3\u0142czesnej sztuce zaanga\u017cowanej kierowanej do dzieci i m\u0142odzie\u017cy&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>7.<em> <\/em>Anna \u015aliwi\u0144ska, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/08.pdf\" data-type=\"URL\">Antidotum Ciszy&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>8<em>. <\/em>Aleksandra Szubert, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/09.pdf\" data-type=\"URL\">Makatka wsp\u00f3\u0142czesna jako forma zaanga\u017cowana<\/a><\/em><\/p>\n\n\n\n<p>9. Marta Leite, Rute Chaves, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/10.pdf\">Knit-Knot&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>10. Nina Kruger,<em> <\/em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/11.pdf\"><em>Na widoku: zg\u0142\u0119bianie posthumanizmu poprzez wsp\u00f3\u0142czesn\u0105 tkanin\u0119 artystyczn\u0105<\/em>&nbsp;<\/a><\/p>\n\n\n\n<p>11. Arpad Z. Pulai, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/12.pdf\">Aktualne tw\u00f3rcze postawy badawcze wobec wsp\u00f3\u0142czesnej tkaniny artystycznej. Teoria interfejsu w \u015brodkach tekstylnych. \u015arodek tekstylny jako narz\u0119dzie komunikacji&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>12. Mateusz Janik, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/13.pdf\" data-type=\"URL\">Tekstylny zwrot ku materii figitalnej<\/a><\/em><\/p>\n\n\n\n<p>13. Errol van de Werdt, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/14.pdf\">The TextielMuseum for the Future, jako wa\u017cne miejsce na mapie miasta&nbsp;<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Wywiad<\/strong><\/p>\n\n\n\n<p>W<a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/15.pdf\">ywiad z Beatrijs Sterk, Janis Jefferies i Claudia Melo \/ pyta: Magdalena Kleszy\u0144ska&nbsp;<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Do\u015bwiadczenia personalne<\/strong><\/p>\n\n\n\n<p>1. Marie Pourchot, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/16.pdf\">Na granicy oka&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>2. Chikako Imaizumi, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/17.pdf\">O japo\u0144skiej i polskiej tkaninie artystycznej<\/a><\/em><\/p>\n\n\n\n<p>3. Mouminta Das, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/18.pdf\">Tkanina artystyczna we wsp\u00f3\u0142czesnej praktyce edukacyjnej<\/a><\/em><\/p>\n\n\n\n<p>4. Silvia Piza-Tandlich, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/19.pdf\">O byciu latynosk\u0105 artystk\u0105 tekstyln\u0105<\/a><\/em><\/p>\n\n\n\n<p><em>5. <\/em>Monika Dro\u017cy\u0144ska, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/20.pdf\">American dream is dream<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Recenzje i om\u00f3wienia<\/strong><\/p>\n\n\n\n<p>1. Janis Jefferies, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/21.pdf\">Wst\u0119p do: Magdalena Abakanowicz, Zeszyty Artystyczne<\/a><\/em><\/p>\n\n\n\n<p>2. <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/22.pdf\">IV Biennale Tkaniny Artystycznej w Poznaniu<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Translations<\/strong><\/p>\n\n\n\n<p>Magdalena Kleszy\u0144ska, <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/23.pdf\">Next to an Introduction<\/a><\/p>\n\n\n\n<p>1. Anna Borowiec, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/24.pdf\">Attention! Textile! From the Textile Department to the Tapestry Studio at the State High School of Fine Arts in Pozna\u0144<\/a><\/em><\/p>\n\n\n\n<p>2. Karolina Lizurej, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/25.pdf\">I Will Tell You My Story. Textiles and their narrative functions in addressing women\u2019s issues<\/a><\/em><\/p>\n\n\n\n<p>3. Kacper Andruszczak, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/26.pdf\">Return to Crafts: Textile Art as an Example of Displaced Heritage and Grassroots Feminist Art<\/a><\/em><\/p>\n\n\n\n<p>4. Dominika Krogulska Czekalska,<em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/27.pdf\"> Textile as a subject of significance and vessel for substance<\/a><\/em><\/p>\n\n\n\n<p>5. Rafa\u0142 Boettner-\u0141ubowski, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/28.pdf\">TEXTILE \u2013 MEDIA MIGRATION \u2013 SELF-QUOTATION:&nbsp; Selected artistic explorations of Professor Andrzej Banachowicz<\/a><\/em><\/p>\n\n\n\n<p>6. Barbara G\u00f3recka,<em> <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/29.pdf\">A marriage of photography, embroidery and revolution: Fl\u00e1via Bomfim\u2019s illustrated book O adeus do marujo as an example of the use of textiles in contemporary engaged art for children and adolescents<\/a><\/em><\/p>\n\n\n\n<p>7. Anna \u015aliwi\u0144ska<em>, <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/30.pdf\">Antidote of Silence<\/a><\/em><\/p>\n\n\n\n<p>8. Aleksandra Szubert, <em>Contem<a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/31.pdf\">porary wall hanging as engaged art<\/a><\/em><\/p>\n\n\n\n<p>9. Marta Leite, Rute Chaves, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/32.pdf\">Knit-Knot&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>10. Nina Kruger, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/33.pdf\">In Plain Sight: Exploring Posthumanism and New Materialism Through Contemporary Textile Art&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>11. Arpad Z. Pulai, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/34.pdf\">Current creative research attitudes related to contemporary textile art. Interface theory in textile means. Textile means as a means of communication<\/a><\/em><\/p>\n\n\n\n<p>12. Mateusz Janik, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/35.pdf\">The Textile Turn Towards Phygital Matter<\/a><\/em><\/p>\n\n\n\n<p>13. Errol van de Werdt, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/36.pdf\">The TextielMuseum for the Future, a place of significance for the City&nbsp;&nbsp;&nbsp;<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Interview<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2023\/12\/13_Kleszynska.pdf\" data-type=\"URL\" data-id=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2023\/12\/13_Kleszynska.pdf\">I<\/a><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/37.pdf\">nterview with Beatrijs Sterk, Janis Jefferies i Claudia Melo \/ questions by: Magdalena Kleszy\u0144ska&nbsp;<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Personal experiences<\/strong><\/p>\n\n\n\n<p>1. Marie Pourchot, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/38.pdf\">On the broder of the eye&nbsp;<\/a><\/em><\/p>\n\n\n\n<p>2. Chikako Imaizumi,<em> <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/39.pdf\">About Japanese and Polish textile art<\/a><\/em><\/p>\n\n\n\n<p>3. Mouminta Das, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/40.pdf\">Textile art in the sphere of contemporary educational practice<\/a><\/em><\/p>\n\n\n\n<p>4. Silvia Piza-Tandlich, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/41.pdf\">Thoughts On Being a Latina Textile Artist<\/a><\/em><\/p>\n\n\n\n<p><em>5. <\/em>Monika Dro\u017cy\u0144ska, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/42.pdf\">American dream is dream<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Reviews and discussions<\/strong><\/p>\n\n\n\n<p>1. Janis Jefferies, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/43.pdf\">An introduction to: Magdalena Abakanowicz, Zeszyty Artystyczne<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Praca konkursowa<\/strong><\/p>\n\n\n\n<p>Marcin Salwin,<em> <a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/44.pdf\">Dialog kartograficzno-wirtualny na przyk\u0142adzie przestrzeni gier wideo lat 90.<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Teksty wspomnienia<\/strong><\/p>\n\n\n\n<p>Rafa\u0142 \u0141ubowski, <em><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/45.pdf\">Wspomnienie o Irku \u2013 profesorze Ireneuszu Domagale (1952-2023)<\/a><\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/46.pdf\">Kronika WEAiK<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/47.pdf\">Kalendarium<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2024\/05\/48.pdf\">POR POL NET<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:46px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image is-resized\" id=\"block-9594e782-2030-4f06-888d-05a67ed23051\"><img loading=\"lazy\" src=\"http:\/\/za.uap.edu.pl\/wp-content\/uploads\/2023\/10\/01_znak_podstawowy_kolor_biale_tlo-1-560x176-1.jpg\" alt=\"Obrazek posiada pusty atrybut alt; plik o nazwie 01_znak_podstawowy_kolor_biale_tlo-1-560x176-1.jpg\" width=\"251\" height=\"79\"\/><figcaption>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2013<br>Stworzenie angloj\u0119zycznej wersji publikacji \u2013 p\u0142atne ze \u015brodk\u00f3w Ministerstwa Edukacji i Nauki na podstawie umowy nr RCN\/SP\/0363\/2021\/1 stanowi\u0105cych pomoc przyznan\u0105 w ramach programu \u201eRozw\u00f3j czasopism naukowych\u201d.<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Temat numeru: TKANINA ARTYSTYCZNA. Wobec wsp\u00f3\u0142czesno\u015bci \/ TEXTILE ART. In the face of contemporary times Redaktor prowadz\u0105ca: dr Magdalena Kleszy\u0144ska, ad. Magdalena Kleszy\u0144ska, Obok Wst\u0119pu\u00a0 1. Anna Borowiec, Uwaga! Tkanina! Od Wydzia\u0142u tekstylnego do Pracowni Gobelinu w pozna\u0144skiej PWSSP&nbsp; 2.&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/za.uap.edu.pl\/?page_id=1822\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/pages\/1822"}],"collection":[{"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1822"}],"version-history":[{"count":12,"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/pages\/1822\/revisions"}],"predecessor-version":[{"id":1963,"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=\/wp\/v2\/pages\/1822\/revisions\/1963"}],"wp:attachment":[{"href":"http:\/\/za.uap.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}